"When you speak with big server companies, they just go: 'Oh, you are in the media industry, you will need a million-dollar SAN and you will need these and these switches.' They don't even ask about your workflows. ![]() We couldn't do this with our general RAID system. And, ideally, we need to be able to encrypt sensitive data on a volume basis. We need to be able to limit access to the server so that the people working off our network only have access to the files they need. Security and user management are both very important.On top of this, we have a 60-node render farm that continuously hits the server and we regularly need to exchange and sync multiple Terabytes of computer-generated textures, models, and high-resolution renders with the artists in our partner studios on the other side of the world.Also, many of our artists work with uncompressed 16-bit DPX image sequences that they need to be able to playback in realtime. 3D-models, composites, and animations can take up a massive amount of space and hold thousands of assets.70% of our computers are Linux, 20% Mac, and 10% Windows. They use many different kinds of software on all kinds of workstations and operating systems, and they all need to connect to our central storage. We have 60 people working in the pre-production, production, post-production, and marketing divisions at our site."CG and Animation workflows pose very specific challenges with regard to asset management and storage," Marchant explains "As we were moving from our building in Westlake to a brand-new facility in Chapman's Peak, we decided to review our technical infrastructure for the new offices and we considered migrating to a dedicated shared storage solution specifically designed for high-end media workflows". Also, as technology becomes faster and faster, generic RAID-based storage systems started to lag behind." "We were coming to the end of some 5 to 7 years of building our own shared storage systems based on Supermicro servers and we had been struggling to maintain them with the increasing amount of volume in productions that were coming in. "All our productions require intensive collaboration between many different artists here in our studio in Cape Town but also in our partner studios in Mauritius, Singapore, and Indonesia," says Sunrise Productions Head of Technology, Luke Marchant. LumaForge was thrilled to help set up a workflow with the Sunrise Productions team to continue to scale productions using a OWC Jellyfish and Resilio Connect. Millions of viewers subscribe to their videos on YouTube, and the Jungle Beat audience is about to expand even further, now that the feature-length film Jungle Beat: The Movie has been released. Today, the company is best known as the creative force behind the fun, family-friendly kids series Jungle Beat and its spinoff Munki and Trunk, which are broadcast in over 180 countries. For businesses that need email archiving, this option is available for $5 per mailbox per month.Sunrise Productions earned a place in history for creating Africa's first-ever animated feature film, The Legend of the Sky Kingdom. ![]() Jungle Disk also offers a Server Edition of its service for $5 per computer per month. ![]() Each subscription includes 10 gigabytes (GB) of free storage per client, unlimited free data transfers, and the option to employ advanced data compression for backup snapshots, which can speed up transfer times by 30 percent while lowering storage costs. It also blends the convenience of cloud storage with the familiarity of network drive functionality native to all computers. Jungle Disk's strength lies in its focus on security and compliance, which many small to midsize businesses (SMBs) will find valuable. Starting at $4 per month per user, Jungle Disk is geared for laptops, desktops, and mobile devices and combines encrypted online storage with clients for PCs running Microsoft Windows 10 and Apple Mac OS. Jungle Disk Workgroup is a data security-focused business cloud storage and notable cloud backup solution built for compatibility with Amazon AWS.
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